Spiegel's point of view focuses on the psychological and chemical interactions of form, moods, and settings. These interactions, says Spiegel, "bring out images of a universal language, reveal spiritual spaces, mind projections, and the collective unconscious in touch with a finer network of galactic nerve."
Stephen P. Breslow, a contributor to Arts Magazine describes
paintings from the series of works called "Crystal Cities," created in 1982:
For information about Spiegel's work call (212) 925-0511.
Currently a resident of New York City, Olga Spiegel came to America in
1964 from England where she studied at the St. Martin School of the
Arts. Born in France, she was brought up in Belgium and studied at the
Academie Royal des Beaux-Arts in Brussels. In 1973 she spent a summer
learning the old masters technique in Austria at the School of Fantastic
Realism in instruction by artist Ernst Fuchs. Her paintings have been
exhibited in Europe and America.
Olga Spiegel's futuristic diamondlike, multitiered cities, underneath
skies teeming with a multitude of various-sized moons, her architectural
phantasmagorias rise layer after layer, chiseled plane after chiseled
plane, into a host of spires, columns, and strangely shaped turrets,
decidedly geometric with innumerable prismlike surfaces reflecting and
refracting light seemingly infinitely. Much like the earlier Italian
Futurists, Boccioni and Marinetti, she constructs immensely complex
temples of light and angle, interlocking with machinelike precision,
speed, and power. These "cities" express her fantastical vision of an
extraterrestrial, supertechnological wizardry.
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